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Contraluz: Juan Gatti, by Various Authors
PDF Download Contraluz: Juan Gatti, by Various Authors
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Contraluz is a journey through the inside world of Gatti, dark and neutral, but, as his best editorial work, this book is a testiment to the beauty of things.
- Sales Rank: #5572730 in Books
- Brand: Brand: T.F. Editores, S.L.C.
- Published on: 2012-08-16
- Original language: English
- Number of items: 1
- Dimensions: 15.00" h x 1.00" w x 11.25" l, 4.80 pounds
- Binding: Hardcover
- 168 pages
- Used Book in Good Condition
Most helpful customer reviews
2 of 2 people found the following review helpful.
The beauty of backlighting (Contraluz) in images of exceptional beauty
By Grady Harp
This eloquent book is a catalogue for an exhibition of the art of Juan Gatti co-sponsored by Madrid and Buenos Aires, and while for many the name of Juan Gatti may not in itself be recognizable, most assuredly the man's photographic art will be. CONTRALUZ, translated from the Spanish, means back light and the book more than demonstrates the plethora of examples of the artist's use of this technique of shooting images.
Juan Gatti, born in Buenos Aires in 1950 has played a key role in defining the styles and images of some of the most important creators in Argentina and in his second home of Madrid. This catalogue presents the first time the work of Juan Gatti was seen and studied in an autonomous way in two different ways: a retrospective of his work applied to the work of other artists and secondly through Contraluz, his personal project which first shows a completely personal artwork as work not applied to other people's work.
Juan Gatti has received Spain's National Design Award 2004 and the Gold Medal for Merit in Fine Arts in 2010.
In 1980 he settled in Madrid where he worked as art director for the music label CBS Spain until 1985. In 1985 he opened his own studio and began to work as a graphic designer, art director and photographer for brands such as Sybilla, Martine Sitbon, Chloe, Karl Lagerfeld, Jesus del Pozo, Loewe, Zara and Elena Benarroch.
From 1988 he started graphic design projects on films by Pedro Almodovar: Women on the Verge of a of nerves, �tame, High Heels, Talk to Her, Bad Education, Volver, Broken Embraces and The Skin I Live, among others.
The other part, which is the title of the exhibition, Contraluz, is his most personal work. Using the aesthetics of the frame, the images appear neatly trimmed on a black background forming a unitary universe in which light appears and gives meaning to the forms. Here, the iconography of Juan Gatti, who has normally been associated with that properly he has used in editorial work, expands and manages objects that have the same entity as the human figure: objects are treated as both images known to the eye and manipulated by backlighting which gives them a fantasy aspect.
Contrauz represents the world as the visual universe of Juan Gatti.
Grady Harp, March 13
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